Posts Tagged ‘movies’

Another Year, Another Berlinale: Quark Beignets

Quark Beignets (Eat Me. Drink Me.)

Yes, yes, yes, February feels like a distant dream of long-ago coats and scarves, fur-lined gloves and wind so cold it creaks inside the wet, warm inside of your cheeks. But for the most part, none of the films I saw at this year’s Berlinale will be out for another twelve months anyway, so this post is mostly just as relevant as it might have been when it was maybe a little more relevant.

What was it about this year’s Berlinale that made us drop like flies? Every single one of us was sick by the end. I left my last film and went straight to bed for two days, waking in a feverish twilight and wanting the covers, a bowl of popcorn dusted with Old Bay, and the Game of Thrones opening sequence jauntily humming from my laptop speakers. Ugh, art films! it made me want to say and mouth a silent scream. Ugh, to the obscenity-strewn pointlessness of Mid-90s. Ugh, to the questionable metaphors of Flatland. Ugh, to the black-and-white smugness of Elisa y Marcela, which was so bad I had to leave the theater.

Some of our posse were more pleased with their choices, but I felt like I’d mostly picked a bunch of duds. Though there were films I really did enjoy, even now, looking back on it a month later, there wasn’t anything that left a sear in my heart like last year’s Tinta Bruta or Call Me By Your Name from the year before that.

What can I recommend of the twenty films I saw? VICE was excellent, incisive, timely – and terrifying. Systemsprenger, about kids who fall through the system’s cracks, was haunting and heart-wrenching and so well-acted. And Waiting for the Carnival was a beautiful documentary that did an excellent job of withholding judgment on a story that could so easily have been a lecture on the evils of industrialization. » Continue reading this post…

Many Movies Means More Movie Snacks: Nori & Sesame Buttered Popcorn

Popcorn snack for the movies (Eat Me. Drink Me.)

How can I describe the way it feels when this movie marathon comes to an end, the way my fingers linger over the last ritual unpacking of the bag, the flinging of ticket stubs and loose papers onto the desk. The slow, deep gulps of water salving a week’s worth of harried dehydration, and how I sink down onto the couch to tally up the week’s report of good, bad, and indifferent.

It’s especially as the Berlinale whirls to its inevitable conclusion that I feel that I myself am in a film. I see with a cinematic eye. Even now, as I hunch over my desk to quickly jot this paragraph down, I see how the camera pans in on my fingers, the gentle, white glow of the laptop screen in the dark, the soft tap-tap-tap of my pointer finger on the keys as I think of what to write next. I bite my lip self-consciously to show the audience that I am thinking. The camera picks up the sound of the children in the adjacent apartment, laughing, and the clink of dinner dishes. The scene is set.

Nori Popcorn (Eat Me. Drink Me.)
Popcorn for the Berlinale (Eat Me. Drink Me.)

The feeling is especially strong as I walk from place to place, which, in the past week and a half, has meant: from theater to theater. Then, my mind’s-eye-camera zooms out across Berlin’s blocky, boxy rows of apartment buildings, streets lined with naked trees rattling twiggy fingers in the wind. I hear the click of my boots on the concrete, catch the flick of my eyes upwards as I wait for the traffic signal to change. I reach into my bag and pull out my wallet, slipping the fat wad of tickets between my fingers to check where I’m going next and what time I need to be there. When you’re watching up to five films a day, it’s easy to lose track. » Continue reading this post…

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